Again I find I must apologize - I cannot believe that I have not posted here since March 7th. I keep telling you that I'm going to do better, but do I? No!! I would have to say that is a pretty poor way to keep those who follow my blog interested.
However, in defense of myself, for some reason I have not been motivated to do any of the activities that I usually enjoy. Such as painting. When I discovered this picture I was so taken with the sweet innocence it portrayed that I just had to do a painting of it. Got it sketched in, did the underpainting, and started laying in the color. It was at that point that I - just like an inch worm - inched through it until finally I felt I could call it finished. The background may appear unfinished, but that was the look I wanted it to have - blurry but clear enough to give the viewer the idea of what they were viewing. I wanted the main focus to be on the boy, his flute and his "audience." I hope I've accomplished that.
I've titled it "Music Soothes ...." I'm not too pleased with that title so if you have a better one, let me know.
Until next time, mahalo for looking and I will try to be better about posting more regularly.
Showing posts with label original oil paintings. Show all posts
Showing posts with label original oil paintings. Show all posts
Tuesday, July 7, 2015
Friday, July 25, 2014
"Persephone"
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"Persephone" |
(I hate to admit it, but this is only the second painting I've done this year - shame on me.)
I scanned the internet to see if this particular hibiscus was a known hybrid. I found it....it was exactly the one we discovered. It was named "Persephone." For those who don't know, Persephone in Greek mythology was the goddess of the underworld. She was the daughter of Zeus and Demeter and said to be a beautiful young woman who everyone loved. For a moment there, I thought we had something that no one else had ever seen. A one-of-a-kind. Whatever the case, this is my rendering of one of God's beautiful creations.
Labels:
floral,
hibiscus,
original oil paintings,
tropical flowers
Monday, March 18, 2013
Family Portrait - Finished
Well, it has taken me long enough, (but not as long as I thought it would) to complete this portrait of my son and his family. Started it the latter part of December and signed it just a couple of days ago. They are very pleased with - I am so glad for that. Needless to say when I compare it to artists like Daniel Greene or Michael Shane Neal, it falls way short. Oh well, my son and his wife love it and that's what matters.
It was such a challenge doing five faces on the same canvas. Needless to say, I will probably never do anything like this again.
It was such a challenge doing five faces on the same canvas. Needless to say, I will probably never do anything like this again.
Thursday, January 17, 2013
Finished Underpainting
Just a quick post today. I've completed the underpainting on the family portrait. Some painters do just a loose, sketchy type underpainting, which is what I usually do, but in this case I wanted to be right on with likenesses. I don't think I can get any closer than this. I've been kind to the adults, shaving off a few years. Now comes the color - scary. (18x24 oil on stretched canvas.)
Tuesday, January 15, 2013
Women of the Bible - Eve and Other
Those who follow my blog know that I have been working on a series entitled "Women of the Bible." Painting women of the Bible who I have been impacted by. So far I've done Ruth (Book of Ruth); Mary, the mother of Jesus; Queen Esther (Book of Esther) - All of these women, in my opinion, were strong women who followed God's will and helped Him to accomplish what was necessary. Today I am posting the woman who changed the course of our lives - Eve.
This painting is actually not finished, but you know sometime you get to a point in a piece and you just lose the motivation to "finish" it - well that is where I am here. I used several pictures to come up with this composition and while scanning through the photos it was interesting to find that many renditions were an Eve with red hair ..... hmmmm!
Maybe the reason I'm not motivated to finish this is because I've taken on a "huge" art challenge - at least for me. A portrait of my son's family - five faces. Laying the sketch down and capturing the likenesses took me about two weeks. Here's the initial sketch, to which I have refined a lot ...
I really wanted them in a more unconventional pose, but this is what they wanted, so this is what I'm working on. I'll post my progress periodically. So far I've done a first layer of underpainting and redefining features more closely. I must be crazy, but wish me luck anyway. Truth be told, I am excited about doing this.
This painting is actually not finished, but you know sometime you get to a point in a piece and you just lose the motivation to "finish" it - well that is where I am here. I used several pictures to come up with this composition and while scanning through the photos it was interesting to find that many renditions were an Eve with red hair ..... hmmmm!
Maybe the reason I'm not motivated to finish this is because I've taken on a "huge" art challenge - at least for me. A portrait of my son's family - five faces. Laying the sketch down and capturing the likenesses took me about two weeks. Here's the initial sketch, to which I have refined a lot ...
I really wanted them in a more unconventional pose, but this is what they wanted, so this is what I'm working on. I'll post my progress periodically. So far I've done a first layer of underpainting and redefining features more closely. I must be crazy, but wish me luck anyway. Truth be told, I am excited about doing this.
Friday, November 16, 2012
Women of the Bible - Queen Esther
Now the king was attracted to Esther more than to any of the other women, and she won his favor and approval more than any of the other virgins. So he set a royal crown on her head and made her queen instead of Vashti. (Esther 2:17)
Esther, whose Jewish name was Hadassah, was taken in by her cousin Mordecai after the death of her mother and father. Mordecai and Esther were among those taken captive from Jerusalem by King Nebuchadnezzar. Scripture tells us that Esther was "lovely in form and features" and when King Xerxes (Ahasuerus) looked upon her he was attracted to her much more than he had been to the other virginal young ladies brought before him.
The story of Esther is intriguing. Esther was told by her cousin Mordecai not to reveal the fact that she was Jewish. If you want to know why, you gotta read the story.
The third in my series of Women of The Bible.
Esther, whose Jewish name was Hadassah, was taken in by her cousin Mordecai after the death of her mother and father. Mordecai and Esther were among those taken captive from Jerusalem by King Nebuchadnezzar. Scripture tells us that Esther was "lovely in form and features" and when King Xerxes (Ahasuerus) looked upon her he was attracted to her much more than he had been to the other virginal young ladies brought before him.
The story of Esther is intriguing. Esther was told by her cousin Mordecai not to reveal the fact that she was Jewish. If you want to know why, you gotta read the story.
Labels:
Biblical,
original oil paintings,
queen,
women of bible
Sunday, October 28, 2012
Your Great Name
My son, Kimo, who is a singer/songwriter here in Nashville surprised me with
this video. I am so proud of him and want to share it with you. The surprise was that he put some of my paintings to one of my favorite worship songs. He did a wonderful rendering of the song - love it so much.. Not all of the paintings are mine, but many are.
http://www.youtube.com/watch?v=bxlZLwDiJ8M&feature=youtu.be
http://www.youtube.com/watch?v=bxlZLwDiJ8M&feature=youtu.be
Labels:
Jesus,
original oil paintings,
spiritual,
worship
Wednesday, January 25, 2012
My Apologies
My apologies for not posting for such a long time...life has been hectic. For now enjoy this painting that I am about to work on. I thought I completed it about three years ago, but now that I look at it I see where much improvement is needed.
It is my granddaughter and I call it "Captive Audience."

I will try to be more timely in posting. I know, I know, I've said that before, but this time I'm really going to work on that.
It is my granddaughter and I call it "Captive Audience."
I will try to be more timely in posting. I know, I know, I've said that before, but this time I'm really going to work on that.
Labels:
children,
grandchildren,
original oil paintings
Saturday, August 13, 2011
Aloha Herb Kawainui Kane
The art world and Hawai'i lost an amazing artist and much-loved native son. Herb Kawainui Kane, died on March 8, 2011. He was born on June 21, 1928. He was three months short of being 83 when he passed away.
"If my work contributes to our comprehension of Hawai'i's past, that will ultimately become the greatest reward." (Herb Kawainui Kane)
As some of you may remember, I have featured some of Mr. Kane's work here on my blog. I subscribe to updates from Mr. Kane's website and usually save updates to review at a more leisurely time. I feel I must explain why I'm writing of his passing in August and not more timely, since it has been about five months since his passing. Today, I thought I would do another posting on his art work, only to find that one of the updates I had saved was about his passing. Needless to say, I was surprised - sadly so. Growing up in Hawai'i and enjoying art as much as I do, Herb Kane was a major inspiration. I would not only study his art for the skill involved, but the stories behind his work reminded me of stories of old Hawai'i I had heard as a child from my grandmother. His paintings and the associated stories taught me much about the myths and legends of my people.
Here is a few of his pieces. Beautiful stuff.
The discovery of Hawai'i. These Polynesian travelers crossed hundreds of miles of open sea in search for habitable lands. On one of those journeys, Hawai'i was discovered. Legend tells of seeing the fires and explosions from the volcano, which struck fear into the hearts of the newcomers.
The Fisherman. He wears a ti leaf rain cape and holds a yellow find tuna (ahi). A favorite pearl shell lure with a bone hook is carried around his neck.
Serenade. My life growing up was filled with music and dance. It was part of the lifestyle.
Thank you Mr. Kane for the beauty and pride you have infused into the Hawaiian culture. Rest in peace.

As some of you may remember, I have featured some of Mr. Kane's work here on my blog. I subscribe to updates from Mr. Kane's website and usually save updates to review at a more leisurely time. I feel I must explain why I'm writing of his passing in August and not more timely, since it has been about five months since his passing. Today, I thought I would do another posting on his art work, only to find that one of the updates I had saved was about his passing. Needless to say, I was surprised - sadly so. Growing up in Hawai'i and enjoying art as much as I do, Herb Kane was a major inspiration. I would not only study his art for the skill involved, but the stories behind his work reminded me of stories of old Hawai'i I had heard as a child from my grandmother. His paintings and the associated stories taught me much about the myths and legends of my people.
Here is a few of his pieces. Beautiful stuff.



Thank you Mr. Kane for the beauty and pride you have infused into the Hawaiian culture. Rest in peace.
Tuesday, January 11, 2011
It's About the Hands
Finally; signed, sealed, but not yet delivered. Christmas present for my son. It is his image when he was out there, somewhere "on the road." I started this back in November, but due to semi-major, life-interrupting medical situations I was unable to finish it on time. Finally, mid-January, I can say..."it's done." I did present it to him unfinished at Christmas and I think he was really pleasantly surprised. This one he is willing to hang in his studio. That tells me that he REALLY does like it.
15x30 oil on stretched canvas
This has been sitting on my easel so long that I will miss it, but I am also anxious to move on to other things. For one, I am co-chair for the annual art festival at my church in April, so I imagine from here until the close of that show, it will be very busy.
Thanks for looking in on my blog. A comment is always appreciated.

This has been sitting on my easel so long that I will miss it, but I am also anxious to move on to other things. For one, I am co-chair for the annual art festival at my church in April, so I imagine from here until the close of that show, it will be very busy.
Thanks for looking in on my blog. A comment is always appreciated.
Thursday, November 4, 2010
Newly Completed Works
I've just completed these portraits of two very dear friends and their husbands. These were done for them because of their generosity. It was supposed to be a surprise, but quickly realized that I could not proceed without their input. In the first portrait, her husband passed away a few years ago, so it was very important to me that I catch his likeness and essence. I just hope and pray they love it...just wish I could've gotten better photos.


Mahalo nui loa (thank you very much) Barbara and Sandra for your generosity and loving friendship.
P.S. Forgot to mention that they are sisters. Their relationship makes me wish I was closer, geographically, to my sisters.
Mahalo nui loa (thank you very much) Barbara and Sandra for your generosity and loving friendship.
P.S. Forgot to mention that they are sisters. Their relationship makes me wish I was closer, geographically, to my sisters.
Labels:
Barbara,
original oil paintings,
portraits,
Sandra
Saturday, September 25, 2010
Love Beyond Measure
A little over a week ago I received a request from a member of my Macomber Ohana (family). Her name is Shaula her request was if I could assist her with artwork for a brochure she was putting together. Below is Shaula’s explanation of her vision.
The name of the facility is Life Care Center of Kona, it is a short/long term nursing facility. My grandmother, Rose Alapai was the first patient on their "Butterflies Are Free" program at this specific facility. The aim of the center is to provide tranquility and hope for those leaving this world. In honor of my grandmother I wrote a proposal, to the Life care center of Kona if they would call their palliative care, "Pulelehua, Butterflies are Free.” My grandmother passed away on Oct. 22, 2009 and since her passing, the children of Holualoa Elementary School, where she attended school and myself (home school liaison at this school) have made over 200 Pulelehua (butterfly) magnets. The magnets are placed on doors of patients going through this palliative care program. It has been a very successful partnership with the school. I am now in conversation with the center and we are planning the making of a brochure to share with families. It's very humbling to know we've impacted the lives of so many by softening the approaching deaths of their loved ones. I feel so honored to be such a vital part of such a wonderful ministry that we are called to do, to honor our kupuna (grandparent, ancestor).
In conversation with Shaula and getting her vision of what the painting should depict, I was able to create “Love Beyond Measure.”

This is how our conversation through Facebook messaging kinda went.
I'm really glad you think that the primary rose can be white because in thinking The Holy Trinity I could not get past the thought that the primary rose, God the Father, at the head should be white. The other thought I had was to have the pulelehua on the secondary rose which depicts God the Son, Jesus Christ. To me the pulelehua should be on Christ because, your "freedom" from sin came from the Father through the Son. Lastly, the bottom rose represents the Holy Spirit. Another thought was to lay 2-3 rose buds at the base of the vase to represent fallen mankind.
While in the process, I was strongly impressed upon to have a tear falling from the white rose (The Father) to the first pink rose (The Son)…which is self explanatory. The Koa Wood vase and the wall of “weathered” lauhala represents the Hawaiian people and their culture. The Palapalai fern on the right represents the interweaving of the ohana with the roses, giving greater significance for the ohana.
My own grandmother Mary Kahula’okalei’opu’u Rose came to mind while painting this and as I write, my mother Pauline Kaohunani comes to mind as well. I miss them so much that for me, “Love Beyond Measure” has also become my tribute to both of them.
The name of the facility is Life Care Center of Kona, it is a short/long term nursing facility. My grandmother, Rose Alapai was the first patient on their "Butterflies Are Free" program at this specific facility. The aim of the center is to provide tranquility and hope for those leaving this world. In honor of my grandmother I wrote a proposal, to the Life care center of Kona if they would call their palliative care, "Pulelehua, Butterflies are Free.” My grandmother passed away on Oct. 22, 2009 and since her passing, the children of Holualoa Elementary School, where she attended school and myself (home school liaison at this school) have made over 200 Pulelehua (butterfly) magnets. The magnets are placed on doors of patients going through this palliative care program. It has been a very successful partnership with the school. I am now in conversation with the center and we are planning the making of a brochure to share with families. It's very humbling to know we've impacted the lives of so many by softening the approaching deaths of their loved ones. I feel so honored to be such a vital part of such a wonderful ministry that we are called to do, to honor our kupuna (grandparent, ancestor).
In conversation with Shaula and getting her vision of what the painting should depict, I was able to create “Love Beyond Measure.”

This is how our conversation through Facebook messaging kinda went.
I'm really glad you think that the primary rose can be white because in thinking The Holy Trinity I could not get past the thought that the primary rose, God the Father, at the head should be white. The other thought I had was to have the pulelehua on the secondary rose which depicts God the Son, Jesus Christ. To me the pulelehua should be on Christ because, your "freedom" from sin came from the Father through the Son. Lastly, the bottom rose represents the Holy Spirit. Another thought was to lay 2-3 rose buds at the base of the vase to represent fallen mankind.
While in the process, I was strongly impressed upon to have a tear falling from the white rose (The Father) to the first pink rose (The Son)…which is self explanatory. The Koa Wood vase and the wall of “weathered” lauhala represents the Hawaiian people and their culture. The Palapalai fern on the right represents the interweaving of the ohana with the roses, giving greater significance for the ohana.
My own grandmother Mary Kahula’okalei’opu’u Rose came to mind while painting this and as I write, my mother Pauline Kaohunani comes to mind as well. I miss them so much that for me, “Love Beyond Measure” has also become my tribute to both of them.
Labels:
Hawaiian culture,
original oil paintings,
religious,
roses
Monday, September 13, 2010
Omigoodness - It's Been Awhile


These two commissioned paintings is why I haven't posted for a while. My granddaughter is the little ballerina and her cousin. The pose of my granddaughter has been so endearing to family members that her uncle asked that I do one for him. He was very specific about the background color.
Now it is on to other things. Thanks so much for visiting.
Labels:
children,
original oil paintings,
portraits
Monday, August 2, 2010
The Prodigal - Completed

I've signed all three paintings...YAY!!! Just have to frame them...which I will have to build myself or maybe get my son to do it, then it will be ready for the show. I didn't think I would be able to do it as I envisioned, but I am pleased with the finished product. I wish I could've gotten a better photo.
Labels:
Biblical,
original oil paintings,
The Prodigal
Sunday, March 14, 2010
“Sing Praise” – David Project Completed
Sing Praise
20x24 oil on stretched canvas
Available
20x24 oil on stretched canvas
Available
I must’ve taken a gazillion photos to get one that was not out of focus and this is the best I could come up with. I had intended to do this canvas-wrapped, but then decided to go this route because I was going to hang it at our upcoming art festival, and I think a frame really enhances a painting.
As those of you who have followed this process are aware; this is the shepherd boy David singing praises to his God, which is in keeping with the theme of the festival – “Praise Him.”
Now I’m onto to something else…something less intense.
Mahalo to all of you for your encouragement and helpful suggestions.
> There are 3 ways you can make a real difference to this blog.
1. Share the link to this site with just one other artist, art collector, or someone who would be interested.
2. Post your thoughts in the Comments section.
3. Email your ideas and/or suggestions on what you would like to read/see more of to lokeforrest@comcast.net
Labels:
Biblical,
David,
lambs,
original oil paintings
Saturday, February 27, 2010
New David Update
This is my latest. Major changes, as you can see. The mountains just seemed to overwhelm David and I just felt that had to be changed. I did not want to detract from David. I did finally give him sandals. Still not ready to sign, need to live with it this way for a while.
Mahalo for following this project. Will be back soon with the finish.
> There are 3 ways you can make a real difference to this blog.
1. Share the link to this site with just one other artist, art collector, or someone who would be interested.
2. Post your thoughts in the Comments section.
3. Email your ideas and/or suggestions on what you would like to read/see more of to lokeforrest@comcast.net
Labels:
Biblical,
David,
original oil paintings,
religious
Saturday, February 6, 2010
Update to the David Project
This past week has been quite hectic, so I have not been able to put as much time into this project as I would've liked. What little I have done, I will post here. Hopefully the upcoming week will be more productive.

I have worked on bringing the intensity of the mid-range mountains down and glazing down the far mountain to put them more in the distance. I have problems with edges, so will focus on which edges should be soft and which should be hard. I put more detail into the grassy knoll, which still needs work, and some detailing on the lambs. Worked some on the cast shadows, but don’t know if I’ve rendered those realistically enough. I have reference pictures to work from, but none show me how the cast shadows should be rendered. Of interest is the indentation in the hillside of the grassy area…that was accidental, but I think I’ll keep that in…of course rework it some. This week I do want to start laying in the color on David.
Hmmm…it’s been a while since I posted about Hawaii’s past and legends. Will try to think of something interesting for next time.
Also, I want to say how much I appreciate the comments made by those of you who visit here.
> There are 3 ways you can make a real difference to this blog.
1. Share the link to this site with just one other artist, art collector, or someone who would be interested.
2. Post your thoughts in the Comments section.
3. Email your ideas and/or suggestions on what you would like to read/see more of to lokeforrest@comcast.net
I have worked on bringing the intensity of the mid-range mountains down and glazing down the far mountain to put them more in the distance. I have problems with edges, so will focus on which edges should be soft and which should be hard. I put more detail into the grassy knoll, which still needs work, and some detailing on the lambs. Worked some on the cast shadows, but don’t know if I’ve rendered those realistically enough. I have reference pictures to work from, but none show me how the cast shadows should be rendered. Of interest is the indentation in the hillside of the grassy area…that was accidental, but I think I’ll keep that in…of course rework it some. This week I do want to start laying in the color on David.
Hmmm…it’s been a while since I posted about Hawaii’s past and legends. Will try to think of something interesting for next time.
Also, I want to say how much I appreciate the comments made by those of you who visit here.
> There are 3 ways you can make a real difference to this blog.
1. Share the link to this site with just one other artist, art collector, or someone who would be interested.
2. Post your thoughts in the Comments section.
3. Email your ideas and/or suggestions on what you would like to read/see more of to lokeforrest@comcast.net
Saturday, January 30, 2010
Progress on David
Thought I would post the progress I’ve made on my David painting. Nearly done with the underpainting. Today I am planning to lay in another layer on the grassy knoll and refine the figure.

I corrected the length of his legs because anatomically they were too short for the figure. I don’t know how I missed that. Fortunately, a Wetcanvas artist noticed and brought it to my attention. David looks more anatomically correct now. Making his legs longer and adding the two lambs in the foreground took care of the “too much negative space” problem that I felt I had. Oh yes, gotta put his sandals on…LOL! Anyway, this is where I am now.
On a different note, over the past couple of days Middle Tennessee has had the most snowfall that I can remember since the first year I moved here. Here are a couple of pictures of this beautiful winter wonderland. I believe the total snowfall in our area is 4". Lovely, but I've had enough cold and winter this year. Anxious for spring to arrive.


Thank you so much for coming by.
> There are 3 ways you can make a real difference to this blog.
1. Share the link to this site with just one other artist, art collector, or someone who would be interested.
2. Post your thoughts in the Comments section.
3. Email your ideas and/or suggestions on what you would like to read/see more of at lokeforrest@comcast.net
I corrected the length of his legs because anatomically they were too short for the figure. I don’t know how I missed that. Fortunately, a Wetcanvas artist noticed and brought it to my attention. David looks more anatomically correct now. Making his legs longer and adding the two lambs in the foreground took care of the “too much negative space” problem that I felt I had. Oh yes, gotta put his sandals on…LOL! Anyway, this is where I am now.
On a different note, over the past couple of days Middle Tennessee has had the most snowfall that I can remember since the first year I moved here. Here are a couple of pictures of this beautiful winter wonderland. I believe the total snowfall in our area is 4". Lovely, but I've had enough cold and winter this year. Anxious for spring to arrive.
Thank you so much for coming by.
> There are 3 ways you can make a real difference to this blog.
1. Share the link to this site with just one other artist, art collector, or someone who would be interested.
2. Post your thoughts in the Comments section.
3. Email your ideas and/or suggestions on what you would like to read/see more of at lokeforrest@comcast.net
Labels:
David,
original oil paintings,
religious,
snow
Tuesday, January 26, 2010
My New Project
I have started a new project and am into it about 12 hours. It is going to be my submission to our church’s First Annual Art Festival, which is scheduled for April. The theme of the festival is “Praise Him.” Just in case you don’t recognize the depiction, this is the shepherd boy David. He is praising God in song. A couple of weeks ago I was at a stagnant place in my art. Not doing much of anything except sketching periodically, but with no desire to paint. I have been doing sketches of the ideas that came to mind for this piece and now that I’ve decided and started on my submission, I am excited. It is oil on 20x24 stretched canvas. I will show my progress beginning with the two I’ve posted below…

I first sketched directly onto the canvas using hard vine charcoal, and then sprayed with Fixatif to keep the charcoal from smearing and thereby losing my line work. The sketching took me about eight hours. I had my 18-year old grandson pose for me so that I could get the position of David anatomically correct. In using him for this purpose, I decided to use his facial features for David. My conception of David was to be a young David so I would imagine that David at that same age would probably have had the same physical structure as my grandson. I also thought that David’s hair and his complexion would most probably be very much like my grandson. He doesn’t know yet that I am using more than his pose for this painting.

This is where I am now. The background has been roughed in. I think the mid range of mountains is too intense in color, so I will be glazing over that section to bring the intensity of the color down some. I will next work on the underpainting of the figure. Thank goodness for the internet...I've been able to research and download images that I've used as reference instead of guessing at what it may have been like at that time.
As far as a title goes; I am usually inspired for a title while I am doing the piece. In this case, the title that keeps coming to mind is "Sing Praise." That comes from a worship song that we do in church. If anyone has a better title, I would love to hear it.
Thanks so much for visiting.
> There are 3 ways you can make a real difference to this blog.
1. Share the link to this site with just one other artist, art collector, or someone who would be interested.
2. Post your thoughts in the Comments section.
3. Email your ideas and/or suggestions on what you would like to read/see more of to lokeforrest@comcast.net
I first sketched directly onto the canvas using hard vine charcoal, and then sprayed with Fixatif to keep the charcoal from smearing and thereby losing my line work. The sketching took me about eight hours. I had my 18-year old grandson pose for me so that I could get the position of David anatomically correct. In using him for this purpose, I decided to use his facial features for David. My conception of David was to be a young David so I would imagine that David at that same age would probably have had the same physical structure as my grandson. I also thought that David’s hair and his complexion would most probably be very much like my grandson. He doesn’t know yet that I am using more than his pose for this painting.
This is where I am now. The background has been roughed in. I think the mid range of mountains is too intense in color, so I will be glazing over that section to bring the intensity of the color down some. I will next work on the underpainting of the figure. Thank goodness for the internet...I've been able to research and download images that I've used as reference instead of guessing at what it may have been like at that time.
As far as a title goes; I am usually inspired for a title while I am doing the piece. In this case, the title that keeps coming to mind is "Sing Praise." That comes from a worship song that we do in church. If anyone has a better title, I would love to hear it.
Thanks so much for visiting.
> There are 3 ways you can make a real difference to this blog.
1. Share the link to this site with just one other artist, art collector, or someone who would be interested.
2. Post your thoughts in the Comments section.
3. Email your ideas and/or suggestions on what you would like to read/see more of to lokeforrest@comcast.net
Labels:
David,
original oil paintings,
praise,
religious
Thursday, January 7, 2010
The Paniolo
My last post included a painting of horses that I did for my granddaughter. I’ll post it again here for those who may not have seen it. I thought it would be interesting to write on how Hawai’i came to have one of the most famous ranches in the world and how it produced one of rodeo’s world champion cowboys.

As I said previously said, one of the most famous ranches in the world is the Parker Ranch on the Big Island of Hawai’i. Horses are not native to Hawai’i so you may wonder how did ranching, cattle and horses come to be in Hawai’i. It all started with a gift from England and help from Spain. In 1793 George Vancouver, British sea captain, presented King Kamehameha with long-horned cattle. After receiving the cattle King Kamehameha declared by a sacred protection order (kapu) that they would be allowed to roam and breed freely. This became a problem because the cattle reproduced in large numbers and in two decades, the cattle had formed huge herds. They ate native crops, stampeding through villages, and caused destruction to villages and instilled terror in the population. Like the Texas Longhorn, the Hawaiian Longhorns were smart, wily, and very dangerous. The king decided that the kapu had to be lifted to allow the capture of the Longhorn and stop the chaos. This is where Spain enters the picture. It was on one of his tours that King Kamehameha saw and was very impressed with the skill of the Mexican-Spanish Vaqueros. He knew this was what Hawai’i needed – trained vaqueros to train Hawaiians how to be Vaqueros and to bring the cattle under control. At the request of King Kamehameha, the King of Spain gathered together some Vaqueros and in 1832 they arrived in Hawaii.
With their well-trained ponies, intricate high-horned saddles, and lariats, the Vaqueros demonstrated handling and horsemanship as an art. They taught the Hawaiians to make saddles, to braid the lariat (kaula`ili), to craft bullwhips (‘uepa kani) and the metalwork for bits and spurs (kepa pele). In talking with the Hawaiians, the Vaqueros introduced themselves as “Español.” The closest the Hawaiians could come to the pronunciation was “Paniolo.” Thus was born the Hawaiian Paniolo.
In 1908, three Paniolo, Ikuā Purdy, Archie Ka`aua, and Jack Low traveled to the World Rodeo Championships in Cheyenne, Wyoming. They were considered curiosities, and were faced with prejudice. Because they were not taken seriously, they had difficulty borrowing horses to participate in the rodeo. There was some relenting in that area, but the horses they were given were considered scrubs. Taking their “scrubs,” they trained them in the Hawaiian style – working them in a river to prevent them from fighting. Low was unable to compete due to his asthma, but after all was said and done; Archie Ka`aua took third place, Ikua Purdy won first place and was proclaimed World Champion. Having won them over with his skill, determination, and style, Purdy was given a standing ovation by the crowd.
If this is all news to you…it is to me also. I had some vague idea of how this all went down, but didn’t know as much as I’ve learned researching this information. I lived on the Big Island and have visited the Parker Ranch. It is like most large cattle ranches…miles and miles of open land, some flat, some hilly…but none other that I know of overlooks the beauty of the Pacific Ocean, nor lets you stand on its hillsides to feel the warmth and softness of the tradewinds as this one does.
Just for fun, here are a couple of fun “pony” drawings that I did for pony story that I am doing for my granddaughter. She told me what their names were but I cannot remember all of them. I do know that the pink one is "Pinkie Pie" and the flying one is "Star Song."

Mahalo for visiting and be well.
> There are 3 ways you can make a real difference to this blog.
1. Share the link to this site with just one other artist, art collector, or someone who would be interested.
2. Post your thoughts in the Comments section.
3. Email your ideas and/or suggestions on what you would like to read/see more of at lokeforrest@comcast.net
As I said previously said, one of the most famous ranches in the world is the Parker Ranch on the Big Island of Hawai’i. Horses are not native to Hawai’i so you may wonder how did ranching, cattle and horses come to be in Hawai’i. It all started with a gift from England and help from Spain. In 1793 George Vancouver, British sea captain, presented King Kamehameha with long-horned cattle. After receiving the cattle King Kamehameha declared by a sacred protection order (kapu) that they would be allowed to roam and breed freely. This became a problem because the cattle reproduced in large numbers and in two decades, the cattle had formed huge herds. They ate native crops, stampeding through villages, and caused destruction to villages and instilled terror in the population. Like the Texas Longhorn, the Hawaiian Longhorns were smart, wily, and very dangerous. The king decided that the kapu had to be lifted to allow the capture of the Longhorn and stop the chaos. This is where Spain enters the picture. It was on one of his tours that King Kamehameha saw and was very impressed with the skill of the Mexican-Spanish Vaqueros. He knew this was what Hawai’i needed – trained vaqueros to train Hawaiians how to be Vaqueros and to bring the cattle under control. At the request of King Kamehameha, the King of Spain gathered together some Vaqueros and in 1832 they arrived in Hawaii.
With their well-trained ponies, intricate high-horned saddles, and lariats, the Vaqueros demonstrated handling and horsemanship as an art. They taught the Hawaiians to make saddles, to braid the lariat (kaula`ili), to craft bullwhips (‘uepa kani) and the metalwork for bits and spurs (kepa pele). In talking with the Hawaiians, the Vaqueros introduced themselves as “Español.” The closest the Hawaiians could come to the pronunciation was “Paniolo.” Thus was born the Hawaiian Paniolo.
In 1908, three Paniolo, Ikuā Purdy, Archie Ka`aua, and Jack Low traveled to the World Rodeo Championships in Cheyenne, Wyoming. They were considered curiosities, and were faced with prejudice. Because they were not taken seriously, they had difficulty borrowing horses to participate in the rodeo. There was some relenting in that area, but the horses they were given were considered scrubs. Taking their “scrubs,” they trained them in the Hawaiian style – working them in a river to prevent them from fighting. Low was unable to compete due to his asthma, but after all was said and done; Archie Ka`aua took third place, Ikua Purdy won first place and was proclaimed World Champion. Having won them over with his skill, determination, and style, Purdy was given a standing ovation by the crowd.
If this is all news to you…it is to me also. I had some vague idea of how this all went down, but didn’t know as much as I’ve learned researching this information. I lived on the Big Island and have visited the Parker Ranch. It is like most large cattle ranches…miles and miles of open land, some flat, some hilly…but none other that I know of overlooks the beauty of the Pacific Ocean, nor lets you stand on its hillsides to feel the warmth and softness of the tradewinds as this one does.
Mahalo for visiting and be well.
> There are 3 ways you can make a real difference to this blog.
1. Share the link to this site with just one other artist, art collector, or someone who would be interested.
2. Post your thoughts in the Comments section.
3. Email your ideas and/or suggestions on what you would like to read/see more of at lokeforrest@comcast.net
Labels:
cowboys,
Drawing,
horses,
original oil paintings,
ranches
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